Standards I/II

Burgundy Jazz

A web documentary that explores Montreal’s incredible contribution to jazz music history through the legendary black musicians of Little Burgundy – the neighbourhood that was a hub of musical creativity, private clubs and speakeasies from the Jazz Age 1920s to the Golden Era of Jazz in the 1940s and 50s. Oscar Peterson, Oliver Jones, Norman Marshall Villeneuve, the Sealey Brothers, Nelson Symonds, and Louis Metcalf are among the greats who lived or played in "Burgundy".

City of the Winds

Documentary about the Chicago jazz scene.

Jazz: The Only Way of Life

Dizzy Gillespie is one of the major figures of the 20th Century's music scene. Everything was once said or written about this genius musician, founder of the Bebop. Whereas his public life is known from most, many ignore about the modest side of his character and the story of his long and deep friendship with a man rather unknown from the general public, the Swiss engineer Jacques Muyal. Through previously unrevealed archives as well as musical extracts, this documentary explores the story of the friendship between a genius trumpeter and a man crazy about Jazz.

New York, New York

An egotistical saxophone player and a young singer meet on V-J Day and embark upon a strained and rocky romance, even as their careers begin a long uphill climb.

The Devil’s Blues

In 1932 Harlem, aspiring jazz trumpeter Ethel Franklin struggles to get her foot in the door. Dejected after another fruitless night, an opportunity arises to prove herself as the greatest. With nothing to lose and everything to gain, Ethel goes against the most sinister being known to man: The Devil.

Assolo

Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...

Jordan Jive

Louis Jordan's Orchestra perform Jordan Jive. Setting is a canteen, with the orchestra and audience in US military uniform. The Swing Maniacs go through some extremely strenuous acrobatic dancing.

'Round Midnight

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

Taking a Chance on Love: Jane Monheit in Concert

Acclaimed jazz vocalist Jane Monheit -- an artist whose voice is often compared to that of Diana Krall and Ella Fitzgerald -- delivers a heartfelt set in this memorable 2004 performance filmed live at the Brecon International Jazz Festival in Wales. The evening's mix of standards includes "In the Still of the Night," "Embraceable You," "Bill," "Too Late Now," "Honeysuckle Rose" and "I Should Care."

Judith Hill Elbjazz Festival 2024

Immersed in music from an early age, Judith Hill's work blends soul, R&B and funk. Her sincere and fragile creations prove just how much courage and strength it takes for women to make their mark in the male-dominated music industry.

The Blues Brothers

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

A Little Jive Is Good for You

Martha Tilton sings in this Soundies film from 1941, with Slate Brothers, and Ben Pollack and His Orchestra accompanying.

Cold Trumpet

Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.

Alain Jean-Marie, impressions cubaines

On the occasion of his 80th birthday, an intimate documentary follows the illustrious pianist and great French jazz musician, Alain Jean-Marie from Guadeloupe, on a recent trip to Cuba. He talks about his career, his adolescence, and his youth in Guadeloupe, where he was rocked and deeply influenced by Cuban music. Director Bertrand Fèvre followed this now essential artist in Havana, to be discovered or rediscovered through a film set to jazz.

Chris Botti in Boston

Chart-topping jazz trumpeter Chris Botti and special guests performed two star-studded concerts at the historic Boston Symphony Hall with Keith Lockhart and the Boston Pops on September 18 and 19, 2008. Special guests include Josh Groban, Yo-Yo Me, John Mayer, Katharine McPhee, Lucia Micarelli, Sting and Steven Tyler.

Body and Soul: An American Bridge

A documentary about the jazz standard and it's roots in Jewish and African-American culture/

Sita Sings the Blues

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Diana Krall | Live at the Montreal Jazz Festival

Keith Jarrett Open Theatre East

Recorded live at Open Theater East, Tokyo, Japan on July 25, 1993. Keith Jarrett piano - Gary Peacock bass - Jack De Johnette drums /// 1. In Your Own Sweet Way 2. Butch And Butch 3. Basin Street Blues 4. Solar 5. Ex-tension 6. If I Were A Bell 7. I Fall In Love Too Easily 8. Oleo 9. Bye Bye Blackbird 10. The Cure 11. I Thought About You

Stop for Bud

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."