Soaring Highs and Brutal Lows: The Voices of Women in Metal

LOVEBITES - Daughters Of The Dawn - Live In Tokyo 2019

Features LOVEBITES' gig held at MyNavi BLITZ Akasaka held on January 27. Contains 17 songs in total. 1 Clockwork Immortality 2 Addicted 3 Bravehearted 4 The Crusade 5 Pledge Of The Saviour 6 Rising 7 Scream For Me 8 Break The Wall 9 Shadowmaker 10 Above The Black Sea 11 Empty Daydream 12 M.D.O 13 Journey To The Otherside 14 Edge Of The World 15 We The United 16 Epilogue 17 Don't Bite The Dust 18 Under The Red Sky 19 The Everlasting

Tribute to the Teachers

A documentary featuring interviews with teachers and officials on the profession of teaching and what it means to them.

Full Metal Village

The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.

Tubular Bells: The Mike Oldfield Story

Documentary about the musician Mike Oldfield, whose 1973 album Tubular Bells launched the Virgin record label and became the biggest selling instrumental album of all time.

150 Miles of Rotting, Rutted, Lumpy, Dilapidated Pavement

A Woman Watches People.

Eastern Phonographic Establishments

From 1988 to 1994, near Père Lachaise cemetery on the eastern side of Paris, the Etablissements phonographiques de l’Est (Eastern Phonographic Venue), aka EPE, was a multidisciplinary venue hosting the crême de la crême of the international experimental, radical, industrial, noise, avant-punk scene. A record shop during the day, an underground venue at night hosting in its basement gigs, performances, screenings of video art and experimental cinema, readings, bondage workshops, fanzine exhibitions. At the junction of late 80’s and early 90’s, EPE saw the end of industrial music and the birth of the still highly influential avant-punk scene.

Long Live Rock... Celebrate the Chaos

Featuring exclusive interviews with the leading titans of rock that include: Metallica, Guns N' Roses, Slipknot, Korn, Avenged Sevenfold, Rob Zombie, Five Finger Death Punch, Prophets Of Rage, Greta Van Fleet, Halestorm, and many, many more, "Long Live Rock" is a deep dive into the fandom of this often misunderstood but beloved genre of music.

Desagradável

Some people seem to have come into the world to confuse, annoy, swim against the current, like the guys from Gangrena Gasosa, the first and only Sarava Metal band of the universe. "Desagradável" covers all the 23 years of the band. A special reunion of people that stirred the underground scene of 90's until today. All the legends detailed in a film that will show the most shameful chapters in history of Brazilian Rock. Jello Biafra, Jão and João Gordo, BNegão, Marcelo D2, Anjo Caldas, Dado Villa-Lobos, Rafael Ramos, Fabio from Garage, Marcos Bragatto, Tom Leão, Pedro Só, Adilson Pereira, Larry Antha and the former members (more than 15!) recalls the regrettable moments that Sarava Metal happened in their lives. Archive images, photos and videos to prove, once for all, that "Home Saint makes miracles too".

Omnibus: François Truffaut

Slashback to Viper Video

The physical media format of film is in a constant state of unease, but what happens when industry professional and legally blind business owner, Shelby McIntyre, takes it upon himself to open Tampa’s only true video shop?

Mendès la France

Forty years after the death of Pierre Mendès France, Yves Jeuland and Alix Maurin reveal another side to this figure: the story of his life, told through the pages of his private notebooks. PMF led a romantic and extraordinary life as a French politician and Jew, both loved and hated.

102 Years in the Heart of Europe: A Portrait of Ernst Jünger

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.

Das deutsche Woodstock - Flower-Power in der Pfalz

Nimrod Workman: To Fit My Own Category

Nimrod Workman won a National Heritage Award for his original songs, but in the film that shares his name, he often breaks into impromptu performances of traditional ballads, dances, and delivers monologues that are just as superlative. Born in 1895, Workman provided for a family of thirteen by working in the coal mines of West Virginia, and he reminisces about his experience with union organizing in the 1920s and 30s with anecdotes that match many of the experiences of miners of later years, too. To Fit My Own Category is an extended visit at his home as Workman and his family prepare meals, build an addition to the house, dig for yellow root, swap jokes with the neighbors, and enjoy each other’s company.

King Cohen: The Wild World of Filmmaker Larry Cohen

A feature-length documentary focusing on the acclaimed work and eclectic career of maverick filmmaker Larry Cohen, writer-director of "Black Caesar," "It's Alive," "God Told Me To," "Q," "The Stuff," and many more.

Tove Ditlevsen – jeg har altid villet alting

Birds of America

In the first half of the 19th century, the French ornithologist Jean-Jacques Audubon travelled to America to depict birdlife along the Mississippi River. Audubon was also a gifted painter. His life’s work in the form of the classic book ‘Birds of America’ is an invaluable documentation of both extinct species and an entire world of imagination. During the same period, early industrialisation and the expulsion of indigenous peoples was in full swing. The gorgeous film traces Audubon’s path around the South today. The displaced people’s descendants welcome us and retell history, while the deserted vistas of heavy industry stretch across the horizon. The magnificent, broad images in Jacques Loeuille’s atmospheric, modern adventure reminds us at the same time how little - and yet how much - is left of the nature that Audubon travelled around in. His paintings of the colourful birdlife of the South still belong to the most beautiful things you can imagine.

Stephen King's World of Horror

This horror documentary is not the same as the 1986 TV special Stephen King's World of Horror nor the 1988 VHS release of the same name, which runs 45 minutes, was distributed by Front Row Entertainment and is about King himself. Instead, This Is Horror (copyright 1989) was a TV special which ran in four 60 minute increments. This new special used some framing footage from the original 'World of Horror' but is primarily newer interviews and behind-the-scenes footage about what was hot in horror in the late 80s. Here in the U.S., a condensed 90-minute version made its way onto video courtesy of Goodtimes in 1990. Elsewhere, the entire special was released as 2 different tapes running 90 minutes apiece. In the UK these were titled This is Horror: A Video Encyclopedia of Horror (Volumes 1 and 2) and in Germany they were called Best of Stephen King's World of Horror (Parts 1 & 2).

Modern Life

For ten years, Raymond Depardon has followed the lives of farmer living in the mountain ranges. He allows us to enter their farms with astounding naturalness. This moving film speaks, with great serenity, of our roots and of the future of the people who work on the land. This the last part of Depardon's triptych "Profils paysans" about what it is like to be a farmer today in an isolated highland area in France. "La vie moderne" examines what has become of the persons he has followed for ten years, while featuring younger people who try to farm or raise cattle or poultry, come hell or high water.

Henry Miller Is Not Dead

In this artistic exploration of the life and work of writer Henry Miller, filmmaker Joe Kishton skillfully weaves clips of films and interviews of Miller with the music of Laurie Anderson. From Miller himself we hear of his difficult relationship with his parents, and of his need to create, even (or especially) when his message abrades social mores.