D'art moderne

Anatomy of a moth

Let Your Light Shine

Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.

The Adventures of *

Life drums the playfulness out of a boy as he grows up.

Impressions from the Upper Atmosphere

Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope

Poker

A burst of cheer and refreshment that it seems perfectly suited to a late July afternoon.

GOOD-BY ELVIS and USA

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

7362

7362 is concerned with dividing and joining together. It begins with two black circles against a white background, knocking together and gradually moving further apart. The circles fade out, and return as white circles against black inside a square. Images similar to Rorschach blots appear. Gradually the viewer realizes that the images were not originally abstract, but were human forms (dancers, gymnasts, etc.), bridges, and others that have been split down the center of the frame, with their mirror images printed on either side of the split. Red, green, and white tints further abstract the images from their original foundations in the natural world, making dancers appear to be amoebas or dividing cells. The accompanying sound track is a mixture of electronic music and musique concrète ("real" recorded sounds manipulated to sound abstract).

An Expression

A experimental animated film featuring moving shapes and lines.

Fantaisie érotique

Measuring the Distance

The project explores urban edges as they correspond with the marginality of social groups who inhabit them. Distance, the anonymity of the architectural setup, decay, but also movement and interaction are subjects of a raw sketch that seeks to integrate a discussion about space and segregation into the discourse of the Common Good. The audio-visual language of the film uses a transparency and starkness of approach to reflect its subject matter. The fusion of architectural lines with sound through unexpected correspondences and synchronizations aims to generate a new kind of intermedial proposition.

Before Before

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

Not Even Nothing Can Be Free of Ghosts

Rainer Kohlberger’s abstract film was created entirely without a camera. Through digital algorithms, he precisely arranged a rhythm of light and shadow that pulsates off the screen into our physical space with blinding intensity. The presence of light is almost felt as we are sucked into the image to become its ghostly accomplice. As we leave the theatre, the optical vibrations continue to haunt us.

A Day In LC

A person living in Liberty City goes to work, have some food & gets back home.

The Bomb

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

69SEC

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

The Trace of Emotion

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.

Gondora

A short movie about a guy living in his own world.

Orogenesis

A trip towards abstraction, as an hypothesis on how mountains might have been formed.

Things to Come

A vibrant animation by Patricia Marx. Preserved by the Academy Film Archive in 2000.

60 Seconds of Solitude in Year Zero

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.