Nothing to be Afraid of

The Seasons

The last collaboration of Artavazd Peleshian and cinematographer Mikhail Vartanov is a film-essay about Armenia's shepherds, about the contradiction and the harmony between man and nature, scored to Vivaldi's Four Seasons.

Nina's Children

The 40-day war has just ended in Armenia. David completed a 2-year service and has returned home from the front. Uncertain about his next steps, he is actively searching for a job that resonates with him. Arthur served in the army for a year and is currently on vacation. He continues his efforts to recall his favorite tune on the piano. Serezha harbors jealousy toward his brothers who experienced the war. He is getting ready to enlist in the army, as he will turn 18 this year. All three are brothers, and they are all Nina's children.

Pacha's Notebook

Pacha works as a midwife in a war zone in Colombia. The intimate portrait of her life and profession, is the jump off point for a larger portrayal of life lived despite insurmountable obstacles in a world ravaged by war.

Intent to Destroy: Death, Denial & Depiction

INTENT TO DESTROY embeds with a historic feature production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

Jiyana Rewsenbireki Kurd: Casimê Celîl

Casimê Celîl was born into a Yezidi Kurdish family in 1908, in a village called Kızılkule, located in Digor, Kars. The village and family life, which he longed to remember throughout his life, ends with the massacre they endured in 1918. During his long road to Erivan, Armenia, he lost all his family members. Left all alone, Casim was placed into an orphanage and was forced to change his name. To remember who he was and where he came from, every morning he repeated the mantra “Navê min Casim e, Ez kurê Celîlim, Ez ji gundê Qizilquleyê Dîgorê me, Ez Kurdim, Kurdê Êzîdî me”, which translates to: “My name is Casim, I am the son of Celîl, I come from the village of Kızılkule in Digor, I am a Kurd, and I am Yezidi”. He clings to every piece of his culture he can find, reads, and saves whatever Kurdish literature or art he comes across. As the year’s pass, Casim finds himself with an impressive collection of Kurdish culture and history.

From Atatürk to Erdoğan: Building a Nation

Turkey's history has been shaped by two major political figures: Mustafa Kemal (1881-1934), known as Atatürk, the Father of the Turks, founder of the modern state, and the current president Recep Tayyıp Erdoğan, who apparently wants Turkey to regain the political and military pre-eminence it had as an empire under the Ottoman dynasty.

Village of Women

Only women, children and old people live in this Armenian village, while the men work in Russia. A life with a rhythm of its own, an independent daily life marked nonetheless by exile.

Animal Airlift: Escaping the Taliban

A revealing account of Pen Farthing's evacuation of an Afghan animal shelter during the West's chaotic withdrawal of 2021. We examine why a nation was so vocal, both for and against, the idea of saving animals when so many humans were at risk.

Traces: People of the Peacock

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Es geht um Alles

Danger Zone

In the competitive world of tourism, there are very few experiences that are out of bounds. “Danger Zone” explores the world of war tourism, catering to a growing market for ever more rare and extreme experiences.

I Am Not Alone

On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute power in his former Soviet nation. With total access to all key players, this documentary tells the story of what happened in the next 40 days.

Longing

Garod means longing in Armenian. Longing for a land that lost its people. Longing for the homeland. Longing for a time that is eternally lost. “Garod” is a story of longing. It is about the lives and the musical stories of two Armenian musicians - a father and his son, Onnik Dinkjian and Ara Dinkjian. It tells the story of the remaking of a musical tradition and life in diaspora, passes through different geographies and countries following the traces of a musical tradition. In this documentary, Garod means not only longing for loss but also remaking of a musical tradition and the life itself.

Outliving Shakespeare

In a decaying Soviet-era retirement home, a vibrant group of elders cling to life by staging Shakespeare. Yet loneliness lingers beyond the theater’s doors, until drama begins to blur with reality.

Heval

When a British-born actor abandons his Hollywood career to volunteer to Join the Kurdish YPG to fight ISIS in Syria, many see him as a selfless hero battling America's most insidious enemy. But others think he's a hot-tempered narcissist, staging a publicity stunt to further his career - and when his service ends, neither the UK nor the US welcome him back. Through incisive interviews with the actor, his supporters, his detractors, and top-tier experts - and featuring the actor's own jaw-dropping helmet-cam video of deadly battles with and interrogations of ISIS fighters - Heval gives viewers unprecedented access into a war against evil and one man's controversial role in it.

A Kind Trace

The documentary is about an old man from Yerevan who paints on garages, transforming rusty metal walls into vivid landscapes and leaving a subtle yet unforgettable mark on the city.

The Armenian Genocide

More than one million Armenians perished between 1915 and 1916 in massacres or brutal deportation programs. Turkey still denies it ever happened. Laurence Jourdan examines massacres of Armenians in the decades leading up to the mass murder, and the geopolitical situation both before and after the genocide. Contemporaneous reports and documents written by Western diplomats stationed in the Ottoman Empire describe the methods used and the deportation routes. These accounts are mixed with personal stories from the living survivors and archive footage from Ottoman authorities.

The Distant Barking of Dogs

Hnutove, Donbass, eastern Ukraine, 2015. Young Oleg lives in a war zone where anti-aircraft gunshots and missile attacks often resonate dangerously near. Although many inhabitants have already left this dangerous area, he remains with his grandmother, who has cared for him since his mother's death, because they have nowhere to go. They are just waiting for the war to end.

Myth

"Myth" was the callsign of Vasyl Slipak, the world-famous Ukrainian opera singer, a soloist of the Parisian National Opera, who left the big stage to become a volunteer, a warrior fighting in the East of Ukraine. The Hero of Ukraine, the Knight of the Order "Golden Star" and the Order "For Courage", Vasyl Slipak gave his life, defending Ukraine. This documentary is a real story of heroism and self-sacrifice, which makes us think over our own lives.

Return to Khodorciur—Armenian Diary

Raphael, Yervant Gianikian's father, survived the Armenian genocide in 1915 in Eastern Turkey. In April 1988, while living in Venice, he sat for his son's camera and read an excerpt from his memoirs, translated from Armenian into Italian.