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Michael's Run 2

Michael is minding his business once more, until he is caught once more by the same gang he previously defeated. Determined to earn back his status and power, the gang leader hunts Michael once more, but this time... for revenge...

Chaos Core

Doodles keep dripping down from the mouth of an idiot.

Mille scudi

South of Italy, XIX century. A couple of brigands are chased in the woods. The man has a bounty on his head and is terrified by everything, while the woman takes care of her newborn. They will be safe beyond the river, where they are going to abandon their son to some gang members in order to run faster. But the woman secretly hides the desire to keep the baby...

Deathmate

Paint Me in the Opera House

While tracking the whereabouts of a missing girl, detective Terrance Porter stumbles upon a haunted opera house in the desert, uncovering much more than originally anticipated. Take a seat, the show is about to begin. (ALTER)

The Flood

Two men sit on an island watching the sunset. When a storm gathers, they decide to build a boat. While one man is mindful of the coming danger and urges speed, the other wastes his time on decorative details. Dammbeck’s last film made in the GDR before he left for West Germany is based on a Chinese fable, with music by internationally known jazz musician Günter “Baby” Sommer.

Metamorphoses I

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

The River at Eleven: My Enemy

Two adventurous 11 year old best friends play around, explore forests and rivers, run, swim and play pranks on a local girl.

The River at Twelve: The Transition

12 year old James is now caught between wanting to continue being the adventurous boy he was a year ago, however someone now is more of a mystery for him. Now he wants to spend less time with his best friend and starts spying on the girl that he once called names. He makes excuses not to go with his friend and instead takes peeps at the girl wondering why she does things. James is starting to get a crush on the girl.

The River at Thirteen: My Love

At the age of 13, James now disagrees with his best friend and defends the girl against him. He fell in love with her and wants to spend all his time with her. James takes her to the river where he and his friend used to hang out. James is now a teenager and the girl is his whole life.

Antarctica: An Adventure of a Different Nature

This large format film explores the last great wilderness on earth. It takes you to the coldest, driest, windiest continent, Antarctica. The film explores the life in Antarctica, both for the animals that live their and the scientist that work there.

Shadowplay

Mixing visual, sound, and storytelling elements from different eras and regions, "Shadowplay" depicts a world filled with dysfunctional work culture through an unorthodox conflict between an office worker and her shadow, and seeks a hidden connection between the dominance of corporatism and the illusion of self-importance.

Freshman Love

In this 100% fictional-plot short a fictional freshman, played by an actor named Don Tomkins), becomes smitten with and writes letters to a singer, Ruth Etting (Ruth Etting), on a fictional radio station. His fictional 1930s nerdy friends take her answering letters in return and torment him about no response. The fictional Ruth Etting (played by the real Ruth Etting) meets him and helps him turn the tables on his tormentors.

One Thousand Buddhas

A monk carves one thousand Buddha statues throughout the year to enter nirvana.

The Color of My Shoes

Dance Theater of Harlem's Lindsey Donnell reflects on the obstacles she and other ballet dancers face in ballet and society.

Puppet Me

The daughter of a famous ventriloquist decides to put on one last show.

Snack Attack

Waiting to board the train, an old lady just wants to eat her cookies in peace, but hijinks ensue when a teenager on the platform next to her seems intent on sharing them, too.

But I’m Letting Go

Set to the music of NIKI's album 'Nicole', a young woman experiences the aches and elations of her first love.

The Getty Address

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.