Roll 'em Lola

Megaplex

Megaplex is the most insane double feature the world has ever seen. With a running time of 80 minutes and thousands of cuts from more than 80 movies, Smash TV spent a year and a half cramming the most entertainment possible into every second. It's dense enough to pressurize these diamonds in the rough into gleaming treasures. Megaplex is the long awaited followup to the critically acclaimed Skinemax, much more fully realized, utilizing myriad editing and layering tricks picked up over the past five years. Deeper, darker, and definitely more bizarre.

69SEC

This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.

Chaos Core

Doodles keep dripping down from the mouth of an idiot.

An Expression

A experimental animated film featuring moving shapes and lines.

Double King

A king steals crowns from various other rulers.

Let Your Light Shine

Eye candy as a special treat. Let Your Light Shine is the ultimate Spectrum Short film, a photokinetic stroboscopic spectacle for spectacles. A work in the tradition of the absolute animation film of the 1930s, which requires prismatic glasses to achieve the maximum result.

Walking

Blu animation takes a circular trip around a room

Anatomy of a moth

The Boyg

The Boyg is the voice within that whispers go around, preventing you from facing yourself, suffocating progress and initiative. A six minute visual and musical remix of Ibsens Peer Gynt, Norwegian Folklore, Edvard Griegs composition, paralyzing panic attacks and The Great Boyg itself who finds us all.

Subnivean Snuff

Subnivean Snuff re-tells an historical environmental crime story. It explores human desires to manipulate ecosystems and their inhabitants. This short, animated film re-imagines a 1958 nature documentary which famously depicts the false suicide of a group of lemmings.

Face Lift

Be better and more beautiful than you were before.

60 Seconds of Solitude in Year Zero

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

Adrift

"Adrift" is shot on the arctic island of Spitzbergen and in Norway. It combines time-lapse photography with stop-motion animation of the landscape. Through camera-angles and framing the film gradually dislocates the viewer from a stable base where one loses the sense of scale and grounding.

Automatic Writing

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

welcome_home.exe

As technology accelerates, our species' collective imagination of the future grows ever more kaleidoscopic. We are all haunted by temporal distortion, perhaps no more than when we attempt to remember what the future looked like to our younger selves. As the mist of time devours our memories, the future recedes; each of us burdened by the gaping mouth of entropy. Yet, emerging technology provides a glimmer of hope; transhumanism promises a future free from mortality, disease and pain. Does our salvation lie in digital simulacra? We're here to sell you the answer to that question, for the low, low price of four hundred and seventy seconds.

La Maison en Petits Cubes

La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.

Enigma: Nazo

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

Sebastian and Jonas Leaving the Party

"My last image of Jonas."—Ken Jacobs

Photodiary '87

I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.

The Trace of Emotion

The emotion of people easily changes. It is not easy to define what emotion is. We just feel it. To feel emotion is like to observe nature because nature always changes by time, sun, and wind. When we observe nature, the nature tries to say what our emotion is because the nature leaves the trace of emotion.