Vivencial I

La casa del Carnaval

Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.

Memória em Verde e Rosa

The Mangueira slum is the scenario where Tantinho and the old samba composers remember stories about the slums and samba.

Biografía de un carnaval

Short documentary recounting the history of the Santiago de Cuba carnival.

The Butcher Filmmaker

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

Chico Science e Nação Zumbi - Especial MTV

Así Pasó

Los pueblos dormidos (por la Quebrada de Humahuaca)

Documentary about the kolla people living in North Western Argentina.

Carnaval Claudia Leitte: We Can Do It!

A King Like Me

Follows members of the Zulu Club, New Orleans’ first Black Mardi Gras, as they work to bring the Zulu parade back to the streets for Mardi Gras Day 2022, in the face of a global pandemic, hurricane Ida and the loss of members due to COVID and gun violence.

Carnaval 65

The White Stripes: Under Blackpool Lights

Concert footage of The White Stripes recorded in January of 2004, featuring tracks from the band's four studio albums as well as live favorites like the Dolly Parton cover "Jolene"

Skip Liberty: Shooting in Vietnam

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Le Carnaval des animaux

The Carnival of the Animals returns in a brand new version, directed by Gabriel Alloing, combining music, storytelling, and live visual creations. Composed by Camille Saint-Saëns in 1886, this iconic work is performed here by ten musicians from the Ensemble Est-Ouest and accompanied by original texts by Alex Vizorek, written especially for young audiences. Recorded at the Théâtre Libre in Paris's 10th arrondissement.

Sonho de um Carnaval

Bruscky: Um Autorretrato

Archive of Life

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

An Unholy Dance

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

É o Boi

"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.

O Auto do Boi Tira Teima