The Somme: The First 24 Hours with Tony Robinson

The Greatest Knight - William the Marshal

The fascinating story of knighthood, told through the extraordinary life and times of William Marshal, whom many consider the world's greatest knight. From Europe's medieval castles to the holy city of Jerusalem, presenter Thomas Asbridge explores William's incredible life, revealing a rip-roaring adventure story in the spirit of King Arthur's Knights of the Round Table. In a career that spanned half a century, this English soldier and statesman served some of Christendom's greatest leaders, from Eleanor of Aquitaine to Richard the Lionheart. Marshal fought in battles across Europe, survived court intrigue and exile, put his seal to the Magna Carta and proved to be the best friend a king could have, remaining loyal to those he served through disaster and victory. Then at the age of 70, despite all the odds, he saved England from a French invasion.

All in a Day: The City

Documentary film, without commentary, looking at events in Sheffield on 5th September 1973. Steelworkers retire, babies are born, there are fashion shows and council meetings, crashed lorries and policemen on the beat.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Buenos Aires

This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.

The Lost World of the Seventies

Michael Cockerell sheds new light on the tragi-comedy of the 1970s by focusing on some of its most controversial characters. With fresh filming and new interviews, along with a treasure trove of rare archive, the film presents the inside story of giant personalities who make today's public figures look sadly dull in comparison. The well-known journalist revisits some of his films on the big characters who helped shaped the 1970s in Britain. Both tragic and comic, it highlights just how much our world has changed in four decades.

La reéducation professionnelle des mutilées de la guerre en France

French soldiers injured in WWI are re-educated to learn new trades.

Grandpa's in the Tuff Shed

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

Belgian Campaigns in Africa

Report retracing the military campaigns of the Belgian colonial troops in Africa through geographical maps, title cards, and documentary footage.

Poilu[s]

A young filmmaker is commissioned to write a documentary about the First World War. He tries to find a way to tell the story of the war. What is to be done with all these films waiting in the archives to be shown again? He tries his hand at different styles of writing and editing, keeping in mind the question: can you make a montage film without transforming the images?

Gallipoli: The Untold Stories

This program provides, through 1st hand accounts & contemporary films & photographs, a rare insight into what really happened. Together with meticulously researched stories, it provides a unique analysis of the Gallipoli campaign, including never-seen before interviews with the last 10 Gallipoli Anzacs, rare film footage showing the beach & trenches at Gallipoli.

Gallipoli

The Gallipoli campaign of World War I was so controversial & devastating, it changed the face of battle forever. Using diaries, letters, photographs and memoirs, acclaimed director, Tolga Ornek, traces the personal journeys of Australian, New Zealand, British and Turkish soldiers, from innocence and patriotism to hardship and heartbreak.

Fighting Fred Funston

On April 18th, 1906, San Francisco witnessed its most devastating natural disaster – an earthquake that initiated a city-wide fire. The commanding officer of the U.S. Army base at the Presidio, Fred Funston, gathered citizens to fight the fire, patrol the streets, and rebuild the city – all without authorization.

The House That Eye Live In

Migrating by sea from Holland as an eight-year-old, Dirk de Bruyn went on to be a doyen of Australian experimental cinema. But as this intimate film reveals, his work is suffused with the trauma of migration, and the struggle to recognise himself as a ‘new Australian'. In conversation with documentarian Steven McIntyre, Dirk guides us through more than 40 years of his filmmaking: the early years exploring technique and technology, a subsequent phase of unflinching self-examination brought on by upheaval and overseas travel, and more recent projects where he attempts a fusion of personal, cultural, and historical identity. What emerges is an inspiring, rugged, and at times poignant portrait of an artist committed to self-expression and self-discovery through the medium of film.

Za trvalý mír

For the Wounded

'Our Day' badges and flags being sold in aid of wounded WWI soldiers are shown in this Topical Budget film.

Forgotten Men

Producer Samuel Cummins, along with five participants in World War I, discuss the key events of the war as illustrated by an assemblage of battlefield and other documentary footage. This film is not the same as, but seems likely to have either inspired or been inspired by, Norman Lee's British production of the same title (q.v.), apparently released the following year.

Ferraty

Le Baron et l'Empereur : Japon, la voie de la guerre

The Salient

Pershing's Crusaders

Documentary on American troops in France in the First World War.