La Cumbre

Silent Witnesses

Mudos testigos is a cinematographic collage made from all the surviving material of Colombian silent films, re-editing the images in such a way as to create a single imaginary film: the impossible love story of Efraín and Alicia that traces the convulsive first half of the twentieth century in Colombia. Compiled by the late Luis Ospina and finished posthumously by Jeronimo Atehortúa.

Pink Rider

An intimate and personal reflection on the conditions of work in the 21st century, seen through the eyes of a bike delivery person. From nostalgia to frustration with Swedish punk running in the background, this film immerses us in the universe of one of many workers in the so called gig economy.

María

María tells the tragic love story of María, a beautiful young woman, and her half brother Efraín, a handsome young man from Valle del Cauca. They both fall in love and live their romance on the farm "El Paraíso", in Valle del Cauca, but not everything is rosy, since Efraín must go to Bogotá because of study reasons leaving María with pain in her soul. Some time later, María becomes ill and Emma tells her brother about the situation.

Rapunzel, The Dog and The Warlock

El Perro, a kidnapped soldier, takes advantage of a confrontation between his captors and the paramilitaries to escape. In his escape, he takes refuge in the house of a peasant family that keeps a dark secret that he must solve to be free.

Black or Latina

A Colombian actress named Zahinabu is finally having her first audition in New York, for a Latina role. It could be the opportunity that she has been waiting for since she arrived to US. But the audition takes a different direction when the casting group needs to consider the great audition from this Latina woman who doesn't look like a "latina".

Birds of Passage

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

The History of the Pink Trunk

In 1945, in the train station of Bogota, Colombia, a dead girl is found in a trunk. The case is assigned to Detective Mariano Corzo, he has to deal with an inquisitive journalist Hipólito Mosquera while trying to solve the mysterious case. Nobody knows who the girl is, or who put her in the trunk. The things turn bad when Mosquera publish the news in the local newspaper. With the help of a bartender Martina Quijano, Corzo will find an answer for the question: Who killed the girl and why?

Mi gente linda, mi gente bella

While abroad Colombians are the bad guys, in Colombia foreigners are the kings. And Vigo, a Swede who arrives to Colombia, will be no exception: he will be received as a prodigal son. He will soon discover that even with so much human warmth, in the country of the Sacred Heart of Jesus, magical realism is lived in the midst of chaos, impetus and thoughtlessness, which between tears and laughter blurs the fine line between good and evil.

EXOTIC

In Miami’s neon-lit streets, “EXOTIC” follows Alejandro Vasquez, a charismatic entrepreneur leading a double life. Publicly, he runs an exotic car rental business, but secretly, he operates a criminal organization for the Calamar Cartel. His life is upended when Isabella, a New York journalist, arrives to expose Miami’s underworld. As she gets closer to the truth, tensions rise and loyalties are tested. “EXOTIC” is a thrilling tale of crime and redemption, blurring the line between hero and villain against Miami’s glamorous backdrop.

El país más feliz del mundo

Santi

A young Colombian man receives a voice message from home while grappling with cultural differences at a London dinner party with his new English girlfriend.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

#BeRobin the Movie

A documentary about Margaret Cho's homeless outreach campaign inspired by the philanthropy of Robin Williams. After the death of her friend Robin Williams, Margaret Cho took to the streets of San Francisco with the mantra "Don't grieve Robin, BE Robin." What started as Margaret busking on the corner with a bag of socks and a guitar case, rapidly turned into hundreds of musicians, comedians, and homeless advocates spreading food, clothes, money, and awareness in an amazing humanitarian street theater experience. The film that captured these events, is not only entertaining, but deeply moving and above all else inspiring.

An Inaugural Ride to Freedom

This heartwarming and at times touching documentary chronicles the preparation, experience, and aftermath of the University of Nebraska at Omaha's Black Studies Department, students, and community persons as they embark upon the inauguration of President Barack Obama. A mixture of cinema verity and interview, this documentary provides an eyewitness accounting of the event through emerging primary stories representative of a broad array of cultural and occupational backgrounds. It is the cinematic documentation of the joy, the laughter, and the tears as 55 passengers board a bus and travel over 2,000 miles for an experience of a lifetime.

The Fallbrook Story

“The Fallbrook Story,” is a 20-minute film of Cold War-era uneasiness in which director Frank Capra rails against what he calls the evils of Big Bureaucracy. In 1951, Capra lived in Fallbrook, California on his 1,000-acre Red Mountain Ranch farm filled with olive groves. The federal government, which had purchased the old Rancho Santa Margarita land in 1941 to build Camp Pendleton, was concerned that ranchers upstream would take or pollute the Santa Margarita River, which ran through Camp Pendleton. Capra’s film documents how Fallbrook residents fought back against the federal government.

Breakdowns of 1939

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1939.

Breakdowns of 1940

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1940.

Breakdowns of 1942

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1942.

Blow-Ups of 1946

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1946.

Blow-Ups of 1947

Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1947.