Palazzo Vecchio

A Season of Giants

At the turn of the sixteenth century, Michelangelo (Mark Frankel), Raphael (Andrea Prodan), and Leonardo Da Vinci (John Glover) create their masterpieces, while dealing with religious persecution, political turmoil, and the discovery of America.

Schama on Rembrandt: Masterpieces of the Late Years

Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.

Picturing the Presidents

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.

Cartoon College

Every fall, The Center for Cartoon Studies invites 20 aspiring cartoonists to White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the hardship of a career in one of the world's most drudgery-inducing art forms. This is their story.

The Savior for Sale

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

Rubens: A Life in Europe

The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.

Mona Lisa Smile

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

Max Ernst: Journey into the Subconscious

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

Francis Bacon: A Brush with Violence

In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.

Figure 1

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.

Miss Hokusai

A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Empire of the Nude: The Victorian Nude

The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.

Orlando

With an original staging of text and music, Orlando follows the trail of one of the greatest composers of the Renaissance: Orlando di Lasso (also known as Roland de Lassus). His life and masterful oeuvre continue to move people to this day. Although he was a European star at the time, di Lasso had to endure the indignities of his social status as a servant. This documentary explores the relationship between art and power, musically accompanied by the ensemble La Tempête.

James Ensor: Demons Teasing Me

This film explains what James Ensor (1860-1949) meant for the development of art and makes palpable where he got his inspiration from.

Klimt & The Kiss

The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it? Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.

Monna Vanna

Dark Star: H. R. Giger's World

An account of the life and work of Swiss painter, sculptor, architect and designer H. R. Giger (1940-2014), tormented father of creatures as fearsome as they are fascinating, inhabitants of nightmarish biomechanical worlds.

The Genius of Turner: Painting the Industrial Revolution

A film that looks at the genius of JMW Turner in a new light. There is more to Turner than his sublime landscapes - he also painted machines, science, technology and industry. Turner's life spans the Industrial Revolution, he witnessed it as it unfolded and he painted it. In the process he created a whole new kind of art. The programme examines nine key Turner paintings and shows how we should re-think them in the light of the scientific and Industrial Revolution. Includes interviews with historian Simon Schama and artist Tracey Emin.

Teatro Amazonas: The Art of Sound and Nature

The history of the Teatro Amazonas in Manaus, an opera house located in the middle of the Amazon rainforest, whose construction, between 1884 and 1896, depended on the labor exploitation of the local indigenous populations, provides an insight into the cultural, social and political situation in Brazil.

The Builders of the Alhambra

Kingdom of Granada, al-Andalus, 14th century. After recognizing that his land, always under siege, is hopelessly doomed to be conquered, Sultan Yusuf I undertakes the construction of a magnificent fortress with the purpose of turning it into the landmark of his civilization and his history, a glorious monument that will survive the oblivion of the coming centuries: the Alhambra.