Salty Slops

humming, fast and slow

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

Breath

The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

Shorts from Radiator Springs

The Diary of a Projectionist

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

Here: A Visual Poem

An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.

Mickey's Safety Club: Street Safe, Street Smart

Mickey and his friends take a close look at important street safety situations and tips.

Soho Square

The atmosphere, sounds and sights of Soho Square on a summer's day.

Yellow Fever

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Ossigeno

Lena is nine-year-old. One day, she spontaneously makes an act of love that will change her life. She will take care of a plant. An action so simple yet unusual that nowadays only children could instinctively do. Will this revolutionary gesture change the future of our world? In a blurry society made by technological progress and innovation, can a simple action become a revolution?

Sweet Spot

“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.

The Cursed Jug

The magician crow turns the little boy into a jug. After that a little boy's adventures begin.

Escape from Hellview

The journey of 3-year-old Tomy into the magical clown-world beyond his bedroom-wall and his struggle to come back in one piece.

Moroshka

A mere sight of a gray wolf terrifies the entire village. There’s just one little girl who can empathize with the wolf and even make friends with him.

Pink Komkommer

An elderly woman naps and has seven erotic dreams. Each dream sounds the same. "Dreamers" are Craig Bartlett, Alison Snowden and David Fine, Janet Perlman, Sara Petty, Stoyan Dukov, Paul Driessen and Marv Newland. Directed by Marv Newland.

The Criminals

Animated mugshots of criminals.

Vincent

Young Vincent Malloy dreams of being just like Vincent Price and loses himself in macabre daydreams that annoy his mother.

Toot, Whistle, Plunk and Boom

Professor Owl gives a lecture on the evolution of Western musical instruments, starting with the advent of rudimentary brass, woodwind, string and percussion instruments by ancient cave dwellers at the dawn of history.

Farewell on the Ice Floe

Polar bears, walruses and penguins see off the Soviet members of the North Pole-1, the world's first crewed drifting ice station led by Ivan Papanin, as they board the icebreakers Taimyr and Murman to return to Moscow.

The Beautiful Leukanida

Two insects fight over the hand of a beautiful lady.

Ingest

A vlogger with a paper eating addiction is haunted by an offensive doodle from her past.