Čisté ruky

Kto odchádza v daždi...

A drama from the period of village collectivisation in 1947-1948, it depicts the life of former beggars who, after the war and land reform, acquire land and dream of becoming wealthy landlords. New social conditions, the onset of collectivisation, but also the great drought bring with them unwelcome changes.

Light Over Koordi

When Paul Runge, a soldier of the Red Army, returns home to Koordi after the war, he sees that, despite the new regime, life in Koordi hasn't changed. It's still a abandoned, uncultured Estonian village, where rich landlords still oppress the population. Runge starts talking about founding a kolkhoze.

Tri razy svitá ráno

Přicházejí z tmy

In a South Bohemian village in 1951, the local rich organize acts of sabotage and try to stop the establishment of an agricultural cooperative with threatening letters and arson. A kulak's son even secretly returns from the West to terrorize the village with his brother. However, the ordinary villagers stand up to them.

Frona

Frona Filípková, out of a desire for a better life, married Floriš Zobač on the land. However, the ownership of the land has affected both her husband and her father-in-law, who, out of hatred, intrigue against the emerging agricultural cooperative and against each other, so Frona looks for a way to free herself.

Land

Poland in the 50s, 20th century The process of collectivization of agriculture is under way. The wealthy Slumdog farmer is one of the last individual farmers who have not joined the cooperative and are trying to grow their own land. But it is very difficult - the unemployed mercenaries who paid for them run to cooperatives (where they have better conditions), the environment or the local authorities do not accept him as a kulak. Struggling with the problem of how to make a 40-hectare farm last, he remains alone in the face of a loss of land that he cannot cultivate.

Predohra v mol

Neobyčejná léta

What Would Happen If...?

In the late 1950s, the collectivization of agriculture is in full swing in the East German village of Willshagen on the German-German border. Those in charge have to face many obstacles, especially from a large-scale farmer who is unwilling to join the co-op. All of a sudden, mysterious men in a fancy car appear in the village and show an interest in the rundown manor house. Gossip spreads quickly, and some villagers think there will be a re-parceling of properties and a land swap with West Germany. They assume everything will go back to how it used to be and even expect the count to return to his manor. In preparation, the situation in the village escalates at a fevered pitch.

Maršovská kronika

Společně – bez mezí

Dobrá úroda

Dědina na Dyji

Za ďalší rozvoj družstiev

Dobré účty – dobří přátelé

Day After Day

In spite of blood ties to both Haifa's Jewish and Arab populations, Moshe leads a rootless existence. Grown weary of his impatient wife Didi and ambivalent about his needy young mistress Grisha, the only relationships Moshe doesn't complicate are with his devoted parents, Jewish Hanna and Arab Yussuf, and with Jules, Moshe's ne'er-do-well childhood friend. But when Jules' real estate developer brother moves to buy a prized piece of property from the Arab side of the family, Moshe's divided ancestry is put to the test.

Hello, Stranger

How to find your way in a suburb of the mega-city of Seoul, that is just one of the things this North Korean refugee hasn't learnt on his citizenship course. He gets lost as soon as he is on his own. At least he speaks Korean.

Man in Love

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

The Greatest Love of All

Antônio is an astrophysicist who has just found out he has an inoperable brain tumor. After decades living in the United States, he returns to Brazil and tries to learn more about his biological mother. His quest sends him off into the slums of Rio de Janeiro.

A Match Made in Heaven

A dying widow plays matchmaker to her 32-year-old unmarried son and sets him up with a nurse that she meets.