Mysterious Object at Noon

Masters of Mayhem

For decades Italian genre cinema dominated the world and before changing beyond recognition it went to unthinkable places. Giants don't die quietly however and this is the story of an industry's most absurd, extreme, blood-soaked fight for survival. Through dozens of brand new interviews, and never-before-seen archival materials, with the men and women who were there during one of the most unique moments in film history, MASTERS OF MAYHEM tells their stories of scandal, contradictions, drama and outrage.

The Hunched Donkey

After his mother's death, a young man edits the family's home videos to bring back her image. As he delves into the occult he begins to reveal the paradoxical magic of memories and cinema.

The Beach

Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.

Cartas de Arapuca

Buscando consuelo

Oh! My Mother

Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."

Love You... Love You Not...

A romantic comedy about Amira, an English tutor, and Juki, a hot-tempered Betawi guy. It begins when Suchin, a Thailand girl who is also Juki girlfriend, asks Amira, her English tutor, to tell Juki that they brakes up because she gets a job in America. During this time she and Juki communicate through gestures. When Amira tells Suchin message, Juki does not accept it and forces Amira to teach him English, to follow Suchin. For fear of Juki, Amira tutors him privately. At the same time, another guy, Taufan, is approaching Amira.

John Ford Goes to War

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

Amor

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

Desperate Souls, Dark City and the Legend of Midnight Cowboy

This is not a documentary about the making of Midnight Cowboy. It is about a humane and groundbreaking masterpiece and the flawed but gifted people who made it. It is about a troubled era of cultural ferment, social and political change, about broken dreams and strivers, then and now. It is about an era that made a movie and a movie that made an era.

Gods and Monsters

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Sleeping Bear

Over the course of a summer, two boys discover the magic of cinema and make their own movie about an old Native American legend called Sleeping Bear.

Dreyer's Gertrud

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

Bob Dylan – Don't Look Back

In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.

Tee Shot: Ariya Jutanugarn

This biopic follows pro golfer Ariya Jutanugarn's journey to the LPGA tour, from child prodigy to her number-one ranking in the world.

Bo Widerberg

Documentary which follows Bo Widerberg during the making of 'Man on the Roof', 'The Butt' and a failed theater production.

The Tulse Luper Suitcases, Part 1: The Moab Story

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

The Making

Dwij and his friends are tasked to make a short film under 40 hours.

TRAINTRACKS

A film director and sound designer discover a disturbing sound cue hidden in the mix of their short film, forcing the director to confront demons from his past.