Scoop

Stop Susan Williams

Stop Susan Williams is an American horror television series that premiered on February 27, 1979 on NBC as part of the series Cliffhangers.

Connexion en cours

Col bleu

Alaska Daily

A star journalist moves to Alaska for a fresh start after a career-killing misstep, and finds redemption personally and professionally joining a daily metro newspaper in Anchorage.

Answer for Heaven

A righteous fallen angel must work with a rating-obsessed reporter to investigate crimes as journalists in a highly competitive newsroom.

Casino

Le Bleu du ciel

Broadchurch

The murder of a young boy in a small coastal town brings a media frenzy, which threatens to tear the community apart.

The Wire

Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.

Strangers from Hell

Unpleasant events disturb the life of an aspiring crime fiction writer when he becomes a resident of an apartment building teeming with shady neighbors.

Scrublands

In a small town, a priest opens fire on his congregation, killing five parishioners. One year later, a journalist arrives to investigate the tragedy, and after digging beneath the surface finds himself in a life-and-death race to uncover the truth.

Deadline

Deadline is a television series which was shown on NBC in the 2000–2001 season. It starred Oliver Platt as Wallace Benton, who worked for the fictional New York Ledger. This was a daily newspaper which was seen in many episodes of Law & Order.

A World Without Commas

Dunia Tanpa Koma tells the story of Raya, a young female journalist in a weekly news magazine called Target, who tries to publicize a piece about a drug syndicate at her magazine.

Les Belles Histoires des pays d'en haut

Les Belles Histoires des pays d'en haut is a Canadian television drama series, which aired on Radio-Canada from 1956 to 1970. One of the longest-running programs in the history of Canadian television, the series produced 81 episodes during its 14-year run and was one of the first influential téléromans. Written by Claude-Henri Grignon as an adaptation of his 1933 novel Un Homme et son péché and initially set in the 1880s, the series starred Jean-Pierre Masson as Séraphin Poudrier, the wealthy but miserly mayor of the village of Sainte-Adèle, Quebec, and Andrée Champagne as Donalda Laloge-Poudrier, the young daughter of a village resident who is given in marriage to Séraphin as payment for a family debt even though she remains in love with her suitor Alexis Labranche.

Minuit, le soir

Marc, Louis and Gaétan work as doormen in a fictional nightclub called The Manhattan. The new owner wants to give the bar an upscale makeover and the three friends are stuck having to deal with this hip new work environment, with riveting consequences.

Le cœur a ses raisons

In the fictional city of Saint Andrews, Brett Montgomery, a wealthy cosmetics businessman and doctor at the local hospital, and Brad, his evil twin brother, battle for control of the Montgomery family fortune. Brett’s fiancée, Cricket, is a journalist with the local television station and has a twin sister, Ashley, who is a nurse at the hospital.

Adamas

Twin brothers Woo-sin and Soo-hyun lose their father in a murder case. Twenty-two years later, the brothers seek to clear their father's name.

Omertà, la loi du silence

Omertà or Omertà, The Code of Silence is a Quebec television series of 11 forty-five minute episodes, created by Luc Dionne and aired from January to April 1996 on Radio-Canada. In France, the series aired on France 3 in 1998. A second season, titled Omertà II – The Code of Silence, had 14 forty-five minute episodes and was broadcast between September and December 1997 on Radio-Canada. A third season, titled Omerta, The Last Men of Honor, had 13 episodes and was broadcast from January to April 1999, on Radio-Canada.

Early Edition

Gary Hobson thinks he may even be losing his mind when tomorrow's newspaper mysteriously arrives today giving him a disconcerting look into the future. What will he do with tomorrow's news?

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