Indwell Extinction of Hawks in Remoteness

Hades of Limbo

A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.

Jean Speck (1860-1933)

Little is known of Jean Speck (1860-1933) beyond the fact that he opened Zurich’s first cinema. Rouzbeh Rashidi and Jann Clavadetscher consider the flittering black and white ghosts and shadows that he left in his wake in their phantasmagorical experimental feature film. This journey through a cinematic night probes the very essence of the cinematic image.

Obinagụ

Obinagụ is not human. They are a spirit who walks among us, taking the form of a worker each day, only to return each evening to the forest they call home, a place where they feel whole and free, where they don’t have to perform or hide.

Womb

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.

CHOKE ECHO

This isn’t a film. It’s a leaked ritual. Somewhere between analog prayer and digital disease, a collection of gestures tried to become human again. They failed. Children orbit the fence like insects around an electric hymn. A figure holds a violin but never plays — his silence is louder than the sound. The man in the branches hasn’t fallen in years. The killer appears, or doesn’t — but you’ll feel him beneath the cuts, mouthing things you’ll wish you didn’t understand. There are bodies, sometimes clothed in flesh, sometimes not. There is scripture, mangled and reversed — not to mock it, but to unlock it. The voice speaks, but only when you stop listening. This is the place where lost footage remembers you. Where noise prays back. CHOKE ECHO was compiled under duress by 0xHamza in 2025 using material never meant to be rearranged. Watch it if you must — but it will keep watching after you close the tab.

Haelgung - Rea

The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.

Dream of Jellyfish

A young woman dreams of a jellyfish in a sea of blue. Far below the surface the jellyfish dreams of her and glimpses a secret she keeps

Persona non grata

HE

HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.

Memories of a Boobs Flasher

A boobs flasher tells us, a boobs flasher lets us see.

Within These Walls

What if the space that confines you is also the space that knows you best? Within These Walls is a surreal, movement-driven short film that explores the architecture of the inner life. As the boundaries between the physical and the psychological dissolve, walls become memory, objects become feeling, and confinement slowly transforms into a kind of recognition.

Savage Song

“To begin a new chapter, you must close the last — even if it hurts to turn the page.” Savage Song is a poetic short film that explores the duality of destiny — the battle between who we are and who we are meant to become. In a world where every step forward demands a sacrifice, the film captures the raw emotion of choosing growth over comfort, and the strength it takes to say goodbye to the old in pursuit of the unknown. Shot on location in beautiful Orkney Islands, where the landscape becomes a character of its own — stark, wild, and symbolic of inner transformation. Through striking visuals, haunting sound, and symbolic storytelling, Savage Song reminds us that transformation is never gentle — it’s savage, beautiful, and necessary. 🎥 Directed by: ‪@AlonaPetliarska‬ 🎞️ Edited by: ‪@AlonaPetliarska‬ ‪@YukhymPetliarskyi‬ 🎼 Original Music by: ‪@bertsovna‬

HOMESICK

Every day, we have countless things to do. Yet, the things we do regularly can often feel worlds apart depending on the specific situation, the time, or even our shifting emotions. Despite perhaps simply wanting to do them with the same ease and familiarity we've always known, the experience can be drastically different, Everyone has a place that feels like home, a cozy little spot where we can relax and be ourselves. But as we get older, we tend to move away from that place, and it can be hard to feel as comfortable. So, we try to find things that remind us of home, even if it's just a small way to feel more at ease This experimental film aims to explore the concept of a comfort zone and the process of growth through diverse situations

Mysterious Object at Noon

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.

RIVERCARCASS

A tale of a wandering girl

Disremember

An ex-military alcoholic begins experiencing unexplained blackouts, and the more he tries to stop them, the worse they get, until he realises they are being triggered by a trauma his mind is fighting to forget.

Proyecciones del Limbo

Lysreisen

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.

Loop

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...

Closure of Catharsis

A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.