Sag Es Nicht

Halcyon

An afternoon of training for Olympic diver Greg Louganis transforms into a visual poem about freedom, the flight of the spirit, and the astonishing physical prowess of which the human body is capable. The title of this award-winning short film alludes to the mythical kingfisher, a harbinger of calm after the storm and a symbol of grace, elegance, and vigor.

The Tsunami

The Tsunami uses environmental metaphor to capture the escalating violence against women crisis in Australia and globally. The normalisation of misogyny and the pervasive harm to women are central themes, reflecting the anger and frustration born from centuries of oppression. The fury of regressing, particularly during disturbing political regimes, and the profound sense of loss fuel its message. It aims to highlight the urgent need for change and the relentless courage required to speak out against patriarchy and entrenched power structures. Produced, written and directed by Nikki Teeuw.

El espíritu del animal

Happy clown

A Stay On Earth

Brought in by an ill wind, a stranger from another world falls to earth into the body of a young man. A glitch in this interchange hampers the alien consciousness to fully integrate in the new found carcass. We follow this being for a day in their muffled wander through earth.

Wenn wir blinken können wir das Rauschen sehen

A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. The sound goes round in circles and drifts in variations.

The Beaches of Agnès

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

Crossing

A study of water and fire.

Recortes - 20240315

Vídeo de Um Minuto

À TOA

Before the Freeze

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

Breakdown: 1975

In 1975, as America faced social and political upheaval, filmmakers turned chaos into art.

Albert

Capturing life through the lens of a dream, Albert explores the evocation of the subconscious mind through the vivid visualism and dynamism of images.

Occurrences of Questionable Significance

When forest animals invade our cities, the world is in disarray. Office vixen Fiona struggles with her banana phone addiction. Will she succumb to it? Temperamental bunny Barbara only gives her stag sugar daddy Nestor his special massage, after he dines her and plays the big spender. This obscure short film pinpoints postmodern tropes of consumerism, eroticism, and art with an homage to the theater stage and references to literature. This work uses a fantasy language and needs no subtitles.

A Little Love

Through interspersed conversation and prose, this experimental documentary follows a poet and a neuroscientist as they explore the definition of love, what it means, and why it matters.

M Soup,

M Soup, (2023) by Stephanie Mavi Garcia Panclas (SMGP), is their first experimental short film. M Soup, follows the character ‘M’ played by SMGP themselves, in which they play around with appearing hyper-masculine and hyper-feminine. This experimental short film can have as many layers as there needs to be or none at all. The goal is for it to be visually confusing and jarring yet have bits and pieces of meaning.

Nathaniel Dorsky: An Interview

In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.

Running Fields IV

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Experiment Three: Broken

Watch drug-addled friends through the eyes of a kaleidoscope. See coloured shapes dance and flail around. Witness people clubbing, getting beaten up, dancing and being used as human guinea pigs – all these in segments held together by two French teenagers finding themselves waiting for Godot. Experiment Three is another trip into the disturbing and bizarre world of public service announcements, contorted into something confronting and colourful.