A lo Mejor Algún Día

Broadstairs and Margate Items

The Thanet coast featuring boat rides, horses and family outings.

Beach Boys Special

Sakurai Hiromi (Sorimachi Takashi) and Suzuki Kaito (Takenouchi Yutaka) leave Diamond Head behind in search of "my ocean." Three months later, the two coincidentally find themselves staying on the same southern island overseas. Hiromi is in charge of the poolside bar at a large hotel, dating the heiress there, and living a glamorous life. Kaito works for a marine biologist, transporting dolphins to a landlocked country, living a wild life. When Kaito's work takes him to the island as well, they run into each other by chance. The two feel something is off about who they are now. Where is their "true ocean"? Makoto and Haruko now run the B&B back in Japan. One day, they win a trip to the island which will make the reunion complete.

Ride Your Wave

Hinako is a surf-loving college student who has just moved to a small seaside town. When a sudden fire breaks out at her apartment building, she is rescued by Minato, a handsome firefighter, and the two soon fall in love.

Tomatoes

Across the installation's multiple channels, the camera circles a group of artists as they sit together in a field eating, licking, and squeezing ripe tomatoes. Throughout the ever-changing scene, kisses, whispers, and caresses are shared with a casual, gentle intimacy that reflects interconnectivity and abundance. These queer and desirous exchanges constitute a portrait of collectivity wherein individuals come together as distinct parts of a whole.

The Freedom of Herds

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

A Day on the Broads

With their gramophone perched on the back of their launch, the family set off for a day of rest and relaxation on the Broads and Suffolk coast.

Lake

Lake gazes down at a still body of water from a birds-eye view, while a group of artists peacefully float in and out of the frame or work to stay at the surface. As they glide farther away and draw closer together, they reach out in collective queer and desirous exchanges — holding hands, drifting over and under their neighbors, making space, taking care of each other with a casual, gentle intimacy while they come together as individual parts of a whole. The video reflects on notions of togetherness and feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”

Von Schwänen und Menschen

Postcards from Last Summer

A compilation of non-narrative, mischievous, fictional tableaux vivants featuring two young women on a dreamlike, summer-like quest for self-discovery, written in the glittery language of music videos, fashion shoots, and meandering streams of consciousness, set to a nostalgic mood track that evokes universal, bittersweet sentiments.

Mi pesadilla fue que me mataba la guerrilla

White Tendons

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

Paradise

A young man visits a Buddhist temple in the hopes of quenching his thirst.

Lions

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

Angel (iii)

A spectral first-person journey through Los Angeles layers the city across itself as our guide disassociates, giving way to an abstracted daytime ghost story following a woman's splitting of self and perception. ANGEL PROJECT continues.

Notes on Vanishing

Moving image artist Lily Alexandre forces herself to ask an unspeakable question: should trans people make ourselves disappear?

Strawman

After being exiled from his home by his mother, 11-year old Angel discovers a dilapidated scarecrow, and the pair develop an unusual relationship.

The Weight of Sight

The Weight of Sight is a playful and very personal essay where director Truls Krane Meby, through a massive archive of his own material - anything from DV-tapes to 35mm - explores the last 20 years of digital development - how it’s influenced the images we make, and our bodies. What kind of images do we get of the world now that everyone is a photographer, and what does it do with how we unfold our identities? How has the internet both captured and freed us? And will Truls even dare to show this film?

Relatório de um Episódio Depressivo

Cobweb

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

154

The prototype [TEST TYPE • 154] is a highly sophisticated artificial intelligence, which is capable of autonomously acquiring notions from its surroundings and - eventually - developing autonomy of thought. Given the nearly human nature of its learning capabilities, the laboratory that programmed it hires a kindergarten teacher, asking him to instruct the machine as if it were a newborn child. The learning process - which spans 7 days - becomes increasingly insidious in the long run, posing a peculiar yet crucial problem: can there be a form of autonomous thinking that excludes emotions?