Unwavering Faith

Farmingish

Experimental Documentary on Sound & Cannabis

Dali

ZION USA

An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.

Café au Lait

City with Dreams of the Sea

Short film of a general landscape about the saturation of the city. 35mm.

Here We Are

A housekeeper received a film made by her daughter. It's a film that combines found footages of Thailand during the Cold War with the present days images of Bangkok. Through these images she tells a story of the house owner and her own story of coming to the capital.

o céu diante dos meus olhos nunca é cinza

99 days

Two instants separated by 99 days conflict with each other.

While There's Still Time To Smile

We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.

Printemps Now!

How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.

my life through my eyes

A short experimental film that explores one filmmaker’s journey to preserve fleeting moments before they fade. Created as a heartfelt introduction into Koen's film making journey, the film blends nostalgic visuals with inventive storytelling techniques, exploring childhood dreams, the fear of forgetting, and the impulse to document life as it unfolds. This marks Koen’s first true dive into editing and cinematography, born from years of unfinished projects, it stands as a heartfelt introduction to a lifelong pursuit of storytelling, dedicated to the child in all of us who once dreamed.

Carta para los nuevos que habitan

A last tour throughout a day through the signs and the memory of a house. A sensory and poetic exploration that reflects an intimate and nostalgic look at the places we inhabit and the way they contain us.

Echo

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

The Road

The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.

USSR (1917-1991)

Experimental short film that explores the rise and decline of the Soviet Union, from the revolutionary spark of 1917 to the challenges and sacrifices endured during World War II, until its dissolution in 1991.

7

A self-portrait in the form of a video essay that explores her identity, her relationship with the places she has lived, and her present.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

AEOLUS

to the stranger who has loved you all your life

An experimental short film that traces the emotional landscape of life after heartbreak. Through intimate narration and cinematography, the film reflects on time, healing, and the rediscovery of self. A quiet yet cinematic portrait of learning to love the stranger within, and rediscovering the beauty of simply being alive.

Hear O, Mahatma

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?