Guaco: Semblanza

ESE EME: The Unauthorized History

An independent rockumentary that comprises first-hand testimonials about the history of Sentimiento Muerto, the most influential band in Venezuela, as well as the projects that came after its dissolution: Dermis Tatú and PAN.

The Promise of Music

The documentary accompanied the work of the Simón Bolívar Youth Orchestra of Venezuela.

We Like It Like That

Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn. Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images. From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.

10 Years of Indeleble

This documentary tells the story behind "Indeleble", the album with which Los Mesoneros received four Latin Grammy nominations and toured many countries. "10 Años de Indeleble" features interviews, stories, and songs that had never seen the light of day, along with a live show in which Los Mesoneros perform, in order, the songs that were part of that first record.

Grupo Revelação: Ao Vivo No Olimpo

Patria y Vida: The Power of Music

The film explores how “Patria Y Vida” became a rallying cry that Cubans shouted in the streets during unprecedented demonstrations on the island.

Venezuela es un Desorden

Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.

Pa'l Pueblo: Fania for the People

Explores the legacy of Fania Records and the Fania All‑Stars who pioneered salsa in the United States. The record label is credited with helping to inspire a cultural movement that led to the global dominance of Latin music today.

Ballad of an Unsung Hero

Using rare historical footage, vintage musical recordings, and interviews with 88-year-old Pedro J. Gonzalez and his wife, this film chronicles Gonzalez’s long and colorful life, from his early days with Pancho Villa during the Mexican Revolution, to his career as a popular radio personality in Los Angeles in the 1930s, to the controversial court case that sent him to San Prison, a victim of the repressive forces operating against the Chicano/Mexicano community during that period.

Bittersweet

A coming-of-age story set in the Dominican Republic, where a group of young aspiring bachata musicians seek answers to love and life through their music. Filmed at the Academia de Bachata, the world's first bachata music school. Featuring maestro Martires de Leon, guitarist and arranger for Romeo Santos.

El rey del bandolín

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

A gozar con Billo. Luis María Frómeta

Valuable testimonies, unedited images and Billo's iconic music depict his life from 1937 and throughout the following five decades, during which he immortalised Caracas' current affairs, public figures and historical landmarks in his musical arrangements.

Shapeless, Like Water

A character study of Puerto Rican struggling rapper Negro Gonzalez, a portrait of his island, a beautiful land tarnished by US colonization and an ode to the unbreakable spirit of Puerto Rican artists.

La Casa del Ritmo: A Film About Los Amigos Invisibles

A compelling story about Grammy-winning Venezuelan funksters Los Amigos Invisibles, from their early days playing in Caracas, Venezuela, to being discovered by David Byrne of Talking Heads and their rise to international stardom. The viewer experiences their story as it intertwines with a live performance filmed at the Highline Ballroom in New York City in March 2011. The band, with the same original 6 members, celebrates 20 years in 2011.

Nueva York: A Musical History of Latin New York

When the film West Side Story was released in 1961, New York's reviled Puerto Rican community gained some visibility and, over time, both in Spanish Harlem and the Bronx, neighborhoods plagued by poverty, drugs and crime, Hispanic identity was reborn and strengthened, thanks to a syncretic and intentionally popular music that eventually conquered the entire city.

Sex, Maracas & Chihuahuas

A joyful tale filled with music. The rise of radio. The jazz big bands. The legendary clubs and ballrooms. The soundtracks of the great musical films and TV shows. Sex and romance, gangsters, luxury cars and palm trees. From Barcelona to New York, with a stop in Cuba. The birth of Las Vegas. The sound of the maracas. Chihuahuas everywhere. The incredible life story of Xavier Cugat (1900-90).

La Memoria es un Caracol

Documentary about the life of Luis Mariano Rivera.

Vamos Pal Matiné

In its heyday, Changa Tuki, aka Raptor House, attracted thousands of young people to afternoon parties called "matinees", from those parties a controversial subculture grew, one that still echoes to this day. This is the story as told by its protagonists.

Con Esperanza

When Ruben, a young Chicano musician, is caught between his mother’s expectations and his own hopes, he is forced to make a decision that will change his life forever. Based on true events, “Con Esperanza” follows Ruben on his journey of pursuing his dreams, balancing both the traditional and financial expectations of his Mother.

La propia gente

This documentary is comprised of three shorts: 'El Afinque de Marín' that follows the musicians of the group Madera. 'Yo hablo a Caracas' about an indigenous leader and his reply to the authorities of the venezuelan goverment regarding the violations towards his people and finally 'Mayami Nuestro' chronicles the relationship of venezuelans during the eighties with the city of Miami.