Olivier Messiaen: The Music of Faith

Accept

Lucie, a contemporary music composer and performer, creates bizarre pieces using knitting patterns or water turbine schemes, which the public struggles to accept. She prioritises authenticity over popularity, avoiding emotional storytelling in her music. Despite facing resistance from performers and listeners, Lucie remains dedicated, sacrificing much for her art. Her composition “Accept” succeeds, leading her to study in the Netherlands and USA, where she gains acclaim but finds personal life unfulfilled. After losing someone close, Lucie is left adrift in sound, questioning her ability to compose without emotion. Director Jan Hubacek explores these themes in his debut documentary.

The Metropolitan Opera: The Exterminating Angel

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

I Am Sitting in a Room

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

Reich: Three Tales

"Three Tales" is a video music work by American composer Steve Reich and video artist Beryl Korot. It is set in three "Acts", each depicting a technological advance of the 20th century and its negative implications on humanity: the dirigible airship Hindenburg and its explosion; the Atom Bomb and its testing on Bikini Atoll; and Dolly the sheep, first successful genetic cloning of a mammal.

The Conductor

Leonard Bernstein’s protégée Marin Alsop reveals how she smashed the glass ceiling to become an internationally renowned conductor.

To B or to B Flat - the composer Boudewijn Buckinx

Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.

Einstein on the Beach

This seminal work of avant-garde opera from composer Philip Glass and director Robert Wilson arrives full-circle, coming to France, the site of its 1976 Avignon Festival world premiere, at the tail end of this 2014 revival tour for a landmark Theâtre du Châtelet production and a first ever filming by award-winning arts filmmaker Don Kent. Eschewing conventional narrative, the opera revolves loosely around pacifist Einstein’s relationship to the creation of the atomic bomb.

K-Classics Generation

The film traces the career of some of the winners of this new generation nicknamed the "K-Classics Generation", including the 2 recent winners of the Queen Elisabeth Competition, the soprano Hwang Sumi and the violinist Lim Jiyoung. In Korea, where it all began, and in Germany where most of them have settled.

Hail Bop! A Portrait of John Adams

Shot over the course of a year, this intimate portrait of provocative composer John Adams presents scenes of the artist at work and at play against the backdrop of dramatic American landscapes that reflect the themes of his music. Though he has a number of credits to his name, Adams is best known for his unconventional opera "Nixon in China," which explores the former U.S. president's meeting with Mao Zedong in 1972.

The Lost Paradise

He is the most performed contemporary composer in the world. And yet he rarely ventures out in public, prefers to keep quiet about his music, feels at home in the forests of Estonia and generates therewith - perhaps involuntarily - the impression of a recluse, which is attributed to him again and again: Arvo Part. In The Lost Paradise, we follow him over a period of one year in his native Estonia, to Japan and the Vatican. The documentary is framed by the stage production of Adam's Passion, a music theater piece based on the Biblical story of the fall of Adam featuring three key works by Arvo Part. The world-renowned director Robert Wilson has brought this work to the stage in a former submarine factory in Tallinn. Tracing their creative process, the film offers rare and personal insights into the worlds of two of the most fascinating personalities in the international arts and music scene.

No Ideas But in Things - the composer Alvin Lucier

“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University.

The Metropolitan Opera: Marnie

Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.

Philip Glass: Looking Glass

This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.

John Adams conducts John Adams

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

Soñarse muerto

José Manuel Ortiz, 32, has had a great interest and sensitivity towards music since he was very young. He grows up listening to the anecdotes of his great-grandfather Carlos Amable Ortiz who was the first academic musician in Ecuador. After the death of Carlos Amable Ortiz, his fame begins to fade, but his 237 scores have managed to survive time. Upon recovering the works, José Manuel's interest in studying and deepening the music found is awakened.

The Muppets: Classical Chicken

The West is a Land of Infinite Beginnings

Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.

Knots and Fields

Knots and Fields examines the aesthetic debates and tensions that have animated the Darmstadt courses over six decades, exploring their relevance today in an increasingly globalised environment.

A Private Music Lesson with Yvonne Loriod

Yvonne Loriod was not only an incredible performer of the music of her time, but also Olivier Messiaen's muse, the one in whom and for whom he found the natural and concrete extension of his art, of his inspiration. This documentary is a beautiful testament to what this great artist represented.

The Opening of the Wells

The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.